The Initiated Eye: Secrets, Symbols, Freemasonry and the Architecture
of Washington, DC
Artist: Peter Waddell
© 2005 Grand Lodge of the District of Columbia
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A Vision Unfolds
36” x 48”
“Upon his arrival in the morning the President
met with the three commissioners and then rode out to the
survey camp. He reviewed Ellicott’s drawing with the survey
and expressed satisfaction with the work” March 28, 1791
Survey of the Federal City, Silvio Badini,
Journal of the Columbia Historical Society
Congress designated the location of the new Capitol on
January 24, 1791. It was a ten-mile square parcel of land
along the Potomac and Eastern Branch Rivers. Andrew Ellicott
and Benjamin Banneker surveyed the tract of land and produced
the base map. Banneker, a self taught African American surveyor
and astronomer, plotted the locations of the forty boundary
stones one mile apart along the entire perimeter.
Using this base map, Major Pierre L’Enfant, a French
engineer and friend of George Washington laid out the plan
of the city sympathetic to the topography of the site.
In the painting, a brazier warms the early spring day
in a tent filled with surveying instruments and other Masonic
artifacts such as a terrestrial and celestial globe.
The Age of Reason made Manifest
36” x 60”
The creative dialogue between Thomas Jefferson, George
Washington and Pierre L’Enfant resulted in a classically
inspired vision and plan for Washington, D.C.
Seen laid out on a desk at Monticello, the working plan
embodies Masonic and Classical ideals depicted in the models.
Although the vast majority of the design was realized, a
few key landmarks were never built. The Supreme Court was
to have reigned in the form of a Roman temple at the site
of Judiciary Square; the Washington Monument was to have
been an equestrian statue of George Washington; a Rostral
Column, along the lines of a Roman naval trophy column,
was to lie south of it; and a cascade flowing from a pyramid
was planned to grace the base of Capitol Hill.
An Auspicious Day
48” x 36”
The United States Capitol building was planned as the
anchor of the entire design for the Federal City. L’Enfant
placed the Capitol on the west end of Jenkin’s Hill, the
most prominent hilltop from which it “might be seen From
Twenty mile off.”
Preparing to lay the cornerstone of the Capitol on September
18, 1793, George Washington is shown in full Masonic regalia
accompanied by one of his favorite dogs, “Duchess”. After
crossing the Potomac from Alexandria, he is likely to have
prepared for the ceremony in an upper room of a small dwelling
located on New Jersey Avenue, S.E., the present site of
the House Office Building. This was the first meeting place
for Federal Lodge No. 1, a lodge formed by stonemasons working
on the construction of the White House.
A Meeting at the End of the Day
36” x 60”
“The first Stone of the President’s House
was laid on the 13th Day of October, 1792, and the 17th
Year of Independence of the United States of America.”
The Charleston City Gazette, November
15, 1792
Stonemasons labored for almost 10 years to complete the
design by Freemason James Hoban (c.1762-1831) who immigrated
to America in 1785.
Abundant work was available for immigrants with such
skill, and Scottish Presbyterian and Irish Catholic stonemasons
flocked at the opportunity. Shortly after the cornerstone
was laid, they took the opportunity to organize into a Masonic
Lodge in 1793, a Lodge that was ultimately to become Federal
Lodge No. 1, with James Hoban as its charter Master.
The daily construction work was managed from a building
that was conveniently located midway between the White House
and the current fountain in Lafayette Park. Wearing silver
jewels emblematic of their position in the Lodge, the three
main officers, James Hoban, Clotworthy Stephenson and Andrew
Estave begin an evening meeting with new brothers. Although
James Hoban went on to an illustrious architectural career,
little is known of Stephenson and Estave, other than they
were both stone masons and master carvers and were associated
with the construction and decoration of numerous federal
buildings.
From These Ashes
30” x 40”
According to tradition, workers of the Washington Navy
Yard founded Naval Lodge No. 4 in 1805 in the old sail loft
of the Yard. Originally chartered as Lodge #41 of the Grand
Lodge of Maryland, Naval Lodge was one of the founding five
lodges of the Grand Lodge of the District of Columbia.
Freemason Benjamin Henry Latrobe, often called “The Father
of American Architecture,” was summoned by President Thomas
Jefferson to work on a federal commission at the newly established
Washington Navy Yard. Latrobe transformed a large swampland
in one of our nation’s first Navy Yards and designed a number
of the original structures including the massive, arched
entrance gate.
In August, 1814 the British burned the majority of Federal
Buildings in Washington, D.C., but Captain Thomas Tingey
in an effort to prevent the capture of armaments burned
the Washington Navy Yard. Through the gate can be seen the
Tripoli Monument, the oldest military monument in the United
States. It was dedicated to six naval officers killed in
the war with Tripoli in 1803.
First Light of Morning
28” x 22”
Decatur House is one of the most distinguished homes
historically as well as architecturally in Washington, D.C.
Freemason Benjamin H. Latrobe, the ”Father of American Architecture”,
designed the house. It was built in 1819 on a site of great
significance near the President’s House for Freemason Stephen
Decatur, one of the most important naval officers in the
history of the United States.
Decatur desired the house to be “sturdy as a ship” in
construction and of great simplicity of design. The results
were an extremely restrained and beautifully proportioned
cubic structure of red brick with a hip roof.
Decatur was killed in a duel with a fellow officer on
March 22, 1820. Decatur is depicted in the vestibule of
his home with President James Monroe on the morning of the
duel with another Latrobe masterpiece, St. John’s Church,
in the distance. Compared to the façade of Decatur House,
the vestibule is far from plain or simple. It is a highly
refined combination of a rectangle, square and semicircle
in black and white marble that is offset by a barrel vault,
shallow dome and semicircle above.
Centerpiece of the New Republic
36” x 36”
The crypt of the United States capitol was designed to
hold the body of George Washington. It is also the centerpiece
of Washington, D.C., since it is the dividing point for
the quadrants of the city. The founding fathers envisioned
a far greater role that was never realized. Inset in the
center of the crypt is a brass compass rose, the location
for the New Republic’s new prime meridian to replace the
Greenwich prime meridian. From this point all distances
would be measured including a one-mile standard established
between the compass rose and a massive column to be constructed
exactly one mile east of the Capitol. From it would be surveyed
all lines for future states.
The tremendous weight of the rotunda is transferred to
the crypt through delicate elliptical vaults onto a double
and single circle of unfluted Doric columns.
Laying Down the Working Tools
36” x 24”
The original Potomac Lodge is located along the towpath
of the Chesapeake and Ohio Canal at Jefferson Place in Georgetown.
On April 21, 1789, at a meeting in Easton, Maryland, the
Grand Lodge of Maryland granted the petition of "a number
of respectable brethren from George Town on the Patowmack
River,” and issued a charter establishing Lodge No. 9 of
Maryland, the first regularly chartered lodge in what is
now the District of Columbia.
Tradition has it that the first life size statue of George
Washington was displayed in the large niche in the second
floor of the façade of the lodge.
The funeral ceremony, in which a brother ceases his labor
in the terrestrial lodge and hopes to receive his reward
in the celestial lodge is one of the most moving of all
Masonic ceremonies. An ordered procession of lodge officers
moves from the lodge to the final resting place of a brother.
The Cornerstone of the Nation
50” x 56”
In 1824 an American bald eagle presided over the welcoming
parade for French General Lafayette in Alexandria, Virginia.
From atop a triumphal arch this same eagle witnessed one
of the most auspicious events of the new republic, the laying
of the cornerstone of the Washington Monument on July 4,
1848. The largest crowd to date in the capitol city gathered
on a bright, clear and promising day to celebrate the seventy-second
anniversary of the new nation, and the 30 star American
Flag was publicly displayed for the first time.
A Reporter from the Daily Intelligencer, Washington’s
leading newspaper, described the crowd in colorful language:
It were long to tell of the many bright-colored
country bonnets which bustled and swayed about in the crowd,
like poppy-heads shaken in the wind
The greatest parade the city had ever seen processed
from the City Hall to the grounds of the monument. Included
were every branch of the military in full dress, numerous
bands, and countless dignitaries. President James K. Polk,
a Freemason, presided over the event. The early years of
the republic were represented on the dais by Dolley Madison,
in her last public appearance, Mrs. Alexander Hamilton,
widow of the first Secretary of the Treasury, and George
Washington Parke Custis, adopted son of George Washington.
Robert C. Winthrop, Speaker of the House, gave the principal
address at the ceremony. He spoke of the nation’s debt to
George Washington and said:
One tribute to his memory is left
to be rendered…a national monument erected by the citizens
of the United States of America…Of such a monument we have
come to lay the cornerstone…. The place is appropriate,
here on the banks of his beloved and beautiful Potomac.
The subtle transition from operative masonry to speculative
Freemasonry is eloquently illustrated in the cornerstone
laying ceremony. Freemasons routinely set cornerstones of
major public buildings with an ancient ritual emblematic
of the higher role of the builder to his creator.
Born in 1800 in Chester, New Hampshire, Benjamin Brown
French, Clerk of the House of Representatives and Grand
Master of Masons of Washington, D.C., ceremonially laid
the 24,500-pound marble cornerstone using the same trowel
that George Washington had used when the cornerstone of
the U.S. Capitol was laid in 1793
French presented Masonic Brother Robert Mills, the architect
of the monument, the working tools, remarking
I now present to you, my Brother,
the square, level, and plumb, which are the working tools
you are to use in the erection of this monument. You, as
a Freemason, know to what they morally allude: the plumb
admonishes us to walk upright in our several stations before
God and man, squaring our actions by the square of virtue,
and remembering that we are traveling upon the level of
time to the “undiscovered from whose bourne no traveler
returns.” Never forget this sublime moral lesson, you are
here to use them practically in your profession. Look well
to the erection of this National Monument; see that every
stone is well squared, and that it is placed in its position
both level and plumb, that the noble offering of a nation
to commemorate greatness, patriotism, and virtue, may stand
until the end of time.
Onto the stone was poured corn, wine and oil, emblematic
of health, prosperity and peace. Witnessed by thousands,
this ancient ceremony was a validation for the young republic
that all was “well formed, true and trusty” and an assurance
of our strength and prosperity.
Equality in Initiation
31” x 38”
Vinnie Ream was the most prominent American female sculptor
of the 19th century. She received the coveted job of producing
a life-size marble statue of Abraham Lincoln in 1866 that
stands in the United States Capitol rotunda and the bronze
statue of Admiral Farragut in Farragut Square. Albert Pike
was a philosopher, jurist, orator, poet, scholar, soldier,
author of many of the rituals of Freemasonry and Grand Commander
of the Scottish Rite Masons.
They met around 1868 when Pike settled in Washington.
Both were ambitious and charismatic. Interestingly, Pike
generated a series of freemasonic rituals intended for women
and initiated Ream into the Masonic fraternity.
The Lamp of Knowledge
40” x 24”
The Franklin School was completed in 1868 and was designed
by Adolph Cluss of Lafayette Lodge No. 19. It is a focal
point of McPherson Square. The school was a model of advanced
design in its day and the scene of Alexander Graham Bell’s
first wireless message. The design of Franklin School won
many national and international prizes for its advancement
of educational practices. It is filled with plenty of natural
light, spacious and well-ventilated rooms, and fine architectural
details. The architectural model of the school was exhibited
at the Philadelphia Centennial Exposition of 1876 and in
Paris, and Vienna, winning similar accolades.
A View to the Future
30” x 68”
Freemason James Smithson, 1765-1829, was an English scientist
who conducted research in chemistry, mineralogy and geology.
He spent much of his life in Europe, but is most remembered
for providing the means to establish the Smithsonian Institution
in Washington, D.C. Under the terms of Smithson's will,
his estate was given to the United States to found "an establishment
for the increase and diffusion of knowledge.”
James Renwick Jr. was the architect of the original Smithsonian
Institution Building that was completed in 1855. Often referred
to as “The Castle,” it is constructed of Seneca Creek red
sandstone in the Norman Revival style, intentionally reminiscent
of a medieval center of learning. Decorated with nine towers
of various configurations, the central south tower is the
largest in plan and provided nineteenth century visitor’s
with an ideal though precarious vantage point, to see the
rapidly growing city.
In the distance can be seen one of the most auspicious
events in the history of Washington, D.C., the public opening
of the Washington Monument in the Fall of 1884.
Avenue of Liberation
20” x 30”
Virginia Avenue is a direct link between the City of
Washington and the historic Port of Georgetown. The McMillan
Commission of 1901 returned it to the grand tree-lined boulevard
envisioned by Pierre L’Enfant in his 18th-century design.
Virginia Avenue is also a Hall of Fame of great South
and Central American liberators. These include a monumental
equestrian statue of Simon Bolivar, the “George Washington
of South America” and Benito Juarez, the architect of modern
Mexican democracy.
Fiat Lux
32” x 80”
Cleverly located at 1733 16th Street, the founding date
of Scottish Rite Freemasonry in Charleston, South Carolina,
The Temple of the Scottish Rite was the first major commission
designed by John Russell Pope in Washington, D.C. It almost
instantly became one of the most well respected classical
designs in the world. So well received was the design that
in 1917, John Russell Pope was awarded the Gold Medal of
the Architectural League of New York for it.
The mausoleum of Halikarnassos (353-c.340 B.C.E.) was
the inspiration for the Temple. It was one of the seven
wonders of the ancient world and its choice as inspiration
for the new temple clearly and intentionally linked Freemasonry
with the western architectural tradition. A large plaza
flanked by sphinxes serves as the entrance to the building
that is a huge limestone-clad Ionic Temple capped by a stepped
pyramid dome. Masonic iconography adorns the building such
as the entrance steps being grouped in runs of 3, 5, 7 and
9 respectively and 33 columns supporting the dome.
Journey into Light
60” x 60”
Grand Commander James D. Richardson contracted with eminent
American Classical architect John Russell Pope, a non-mason,
in April 1910 to produce designs for the Temple of the Scottish
Rite. Commander Richardson desired the new temple to be
as magnificent as art and money could make it. Initial designs
were finished in June. Construction began October 18, 1911,
and the building was completed on October 13, 1915.
The opulent interiors certainly reflect Commander Richardson’s
desires. A massive-scale, granite-clad staircase leads up
from the entrance atrium to the Supreme Council Chamber
following the curve of the rear profile of the building.
The grand stair is filled with Masonic iconography and decorated
with a variety of classical symbols derived from archaeological
sources. For example the torcheres lining the stair are
replicas of Pompeian artifacts.
The Good of Masonry Entirely at Heart
30” x 36”
Prince Hall is recognized as the Father of African-American
Freemasonry in the United States. Although the details of
his birth are sketchy, he was initiated into Freemasonry
in March of 1775 in Irish Constitution Lodge No. 441, part
of the British Army garrisoned at Castle Williams in Boston
Harbor.
In March of 1784, African Lodge No. 1 of Boston was chartered
through the Grand Lodge of England and the Lodge was finally
organized in May 6, 1787. Prince Hall Freemasonry has been
practiced in Washington, D.C. with the chartering of Social
Lodge No. 1 from the African Grand Lodge of North America,
Pennsylvania. Subsequently, Social Lodge No. 1, Universal
Lodge No. 2 and Felix Lodge No. 3 formed the Grand Lodge
of the District of Columbia in on March 27, 1848.
Albert Cassel, noted African-American architect designed
the new grand Lodge headquarters located at U Street, NW.
Nobles of the Mystic Shrine
36” x 24”
Almas Temple was designed in 1929 by Allen H. Potts and
is prominently located on the north side of McPherson Square.
The building is an unusual example of Middle Eastern architecture
rarely seen in the United States. The choice of architectural
style, though, is consistent with the exoticism of the Shrine,
an associated body of Freemasonry established in 1872 to
provide fun and fellowship for its members. For 75 years,
the Shrine has operated a network of hospitals that treat
children with orthopedic problems, burns and spinal cord
injuries, up to their 18th birthday, free of charge.
Known as “the March King,” John Phillip Sousa is one
of America’s best-loved musicians as well as a famous Freemason
and Shriner. Less well known than “The Stars and Stripes
Forever” or the “Washington Post March” are his numerous
marches written for the Shriners. They include such titles
as “Nobles of the Mystic Shrine, The Thunderer, and The
Crusader” and are filled with the fun and excitement embodied
in the Shriners.
The Light of Reason
30” x 40”
Located on historic Shooter’s Hill and overlooking historic
Alexandria, Virginia is a 333 foot tall monument that is
a testimony to Masonic unity across the United States of
America. Each state’s Grand Lodge is a sovereign body, but
because of reverence for Master Mason George Washington,
they united and through voluntary contributions erected
the monument as an expression of the Masonic fraternity’s
faith in the principles of civil and religious liberty and
orderly government.
The Memorial is reminiscent both in location and design
of one of the wonders of the ancient world, the Lighthouse
of Alexandria, built around 290 BCE on the island of Pharos,
now part of the city of Alexandria, Egypt.
Building the Temple Within
62” x 42”
In The History of English Freemasonry, a publication
of the United Grand Lodge of England, Freemasonry is defined
as
“one of the world’s oldest secular
fraternal organizations, whose members are concerned with
moral and spiritual values. They are taught its precepts
by a series of ritual dramas, which follow ancient forms
and use stonemason’s custom and tools as allegorical guides.”
Elaborate backdrops and props are employed to communicate
many of the teachings and moral lessons of Freemasonry.
Within These Walls
36” x 40”
By the end of World War II, it was clear to President
and Freemason Harry Truman that the White House was in need
of extensive repair. Floor creaked and sagged, plaster was
cracked and numerous coats of white paint all but obliterated
the delicate carving adorning the exterior. A special committee
determined that conditions were far worse than anticipated.
The interior of the house was removed completely and the
exterior walls were underpinned with stronger and deeper
foundations. An independent steel frame was built within
the historic shell and the interior completely reconstructed.
While surveying the construction site President Truman
noted unusual carvings on stones in the original walls.
These were actually chiseled signatures left by the 18th
century stonemasons that identified their work. He arranged
for many of these stones to be sent to Grand Lodges across
the United States.
“I place in your hands a stone taken
from The White House…These evidences of the number of members
of the Craft who built the President’s official residence
so intimately aligns Freemasonry with the formation and
the founding of our Government that I believe your Grand
Lodge will cherish this link between the Fraternity and
the Government of the Nation, of which the White House is
a symbol.”
Truman, 1952
The Triumph of Justice
24” x 24”
Freemason, Chief Justice and President of the United
States, William H. Taft was instrumental in persuading Congress
to construct a permanent home for the Supreme Court of the
United States.
Completed in 1935, it was designed by noted architect
and Freemason Cass Gilbert in a monumental, classical Corinthian
architectural style. The temple façade of a double row of
sixteen columns support an architrave into which is carved
"Equal Justice Under the Law." Above the architrave is a
mammoth sculptural group representing Liberty Enthroned.
The triumphal arch and other classical details of the Main
Reading Room Law Library are constructed of hand carved
oak.
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